Projects
Pallas Projects collaborates with artists and groups, placing a particular emphasis on early-career, emerging artists and recent graduates, experimental or overlooked practices.
Our gallery programming is centred around our open-submission Artist-Initiated Projects. Selected projects are presented in the context of a gallery space with a dedicated tradition towards the professional development of artists in a peer-led, supportive environment and are supplemented with artists’ talks, texts, workshops, performances, artists' interviews, and gallery visits by colleges and local schools.
This core programme is contextualised alongside collaborative, curated, and international projects.
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Pallas Projects/Studios with The Irish Georgian Society and Whyte’s present:20 Year Benefit Auction of Contemporary Art
Pallas Projects is delighted to present Liz Nielsen & Max Warsh, in association with Sirius Arts Centre. Curated by Jessamyn Fiore, this exhibition presents the work of two outstanding American artists whose contemporary art practice employs a unique exploration of the materiality of photography, producing striking abstract works that push the boundaries of the medium to contemplate its use of light and memory.
Appropriate Colours presents a series of sculptures and works on paper reflecting on the seemingly eclectic, yet often prescribed use of colour in Ireland’s rural vernacular architecture.
Pallas Projects/Studios celebrates 20 Years with the announcement of several major projects
The methodology of this show utilises the traditional language of painting. Seven paintings will be produced and are presented to the viewer in a sculptural manner. Influences include rock music, landscapes and art education.
Fundamentally, the exhibition aims to present a combined perspective on a mode of art-making which could defined as ‘indescribable’.
Pallas Projects/Studios celebrates 20 Years with the announcement of several major projects
Leaving the camera behind, I arrived in China quixotically armed with notepad and pen. Each scribble a recognition of heightened experience. Each painting a regurgitation of undigested experience.
We are developing new ways for people earn for themselves, thereby restoring to them some kind of autonomy. One of our core tenets is to act in solidarity with our brothers and sisters in the camp. #solidaritynotcharity.
MOMENT OF SURRENDER (the paintings) are for the artist a way of staying creative, through the process of everyday painting. This process is an important aspect of Lalor’s practice, which was in hiatus during his preceding all consuming film project INCIDENT URBAIN, and has returned injecting a new lease of life into Lalor's daily work and approach to film-making.
Paper Trees is an exhibition of new drawings and paintings where David uses an accumulation of fragments, assembled with a keen emphasis on surface, these artificial scenes converge and explore spacial possibilities.
The exhibition under the common title “Sophie in Love” is a number of recent works that take us back to the summer of 1940.