Projects

Here’s the Tender Coming (WHOOPEE) We’re all Going to Die plays out a dialogue concerning the reclamation of death within the condition of life, a space where finitude is integral, death is never far from the mind of the artist, and present on the surface, just underneath, or within the text of their work.

Pallas Projects hosts a series of 5 artist-initiated projects, selected via competitive process, as part of the Pallas Projects Summer Programme.

Genealogies; Frameworks for Exchange explores experimental formats for discourse that have the potential to both open up and create affirmative ways to historicise genealogies of authorship - especially female genealogies.

Horvers transmits this material into another reality in the form of voice performances, hand-written drawings, hand-written books, sound installations and interactive electronic text displays.

The exhibition contains in the first programme four key works filmed on 16mm between 1976 and 1996, beginning with the seminal The Girl Chewing Gum shot in black and white on a grey day in Hackney, through to the lyrical Blight, revolving around the building of the M11 Link Road in East London and the bitter campaign by local residents to protect their homes from demolition, and made in collaboration with the composer Jocelyn Pook.

Pallasades have created a live, interactive sound installation in the Triskel Gallery, a former ESB substation. Developing a practice based upon collaboration, process and site-specificity, Pallasades engage with the historical associations of the building, activating the space using sound and electrical impulses.

A random mess, a shantytown, a temporary nuisance, a necessary group-hug to negate the cold, and a special opening performance by Big Chief Random Chaos. Enter Bizarre Bazaar, an open platform for the exchange of ideas, where every idea has its price.

Jim Ricks has developed the method of synchro-materialism as a means to consider the territory where art meets capitalism. To do this properly, history must be re-worked, splintered and re-imagined.

Liminal Margins is the outcome of the Intern programme at Pallas Contemporary Projects.

Pallas Projects hosts a series of 4 artist-initiated projects, selected via competitive process, as part of the Pallas Projects Summer Programme.

We are never at home addresses the structural, formal, discursive and metaphysical contexts of the ongoing Pallas project via a two-way temporal engagement with our future, present, and past programming.

Private Commissions is new work by artist group Not Abel focused on an interest in the re-evaluation and re-presentation of particular common or contemporary cultural references.